A few months ago, I came home and thought we’d been burgled.
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A few months ago, I came home and thought we’d been burgled.
This year, though, I didn’t rely on what Phoenix Print Studios had in reserves as far as typefaces and artwork go. I laid out the card in InDesign, and shipped the file to Boxcar Press to have two polymer plates made — one for the text, the other for the list-making lady. (The illustration came from Fotosearch.) I did rely on Cindy and Gary at PPS to concoct the right mix of printing inks, to match the colors I wanted for a vintage-y vibe. That light green, for example, is actually a combination of lime, blue and transparent inks.
We happened to be in New York during Fashion Week, when thousands of fashion folk flock to town and jack up hotel rates to insane levels. So I was delighted that I was able to score a room at Viceroy New York. I was particularly keen to check out this spot because I knew that the general manager had moved over from Royalton, so I hoped that I would love this new property just as much.
And I did love it. Super sleek, with clever storage that made me think of a cabin on an opulent ocean liner. In my room, which looked like the photo above, the Illy espresso maker was in the cabinet to the left of the bed above the Beats music player, the safe was hidden in a drawer to the right, and the fold-out ironing board was stashed behind a tall mirror cabinet door. I had enough closet space (and hangers) for four days’ worth of clothing—and I hang up even my T-shirts and jeans when I get in a hotel room. (But I also repurpose shirts and pants on different days of trips to save space in my luggage, so take that into consideration.)
I got back from another trip to New York City on Thurday night. My brain is apparently having trouble figuring out time and space associated with the trip, because Friday at work I was telling someone how I was there “last week” until I stopped and had to correct myself: “No, I’ve been home for less than 24 hours.”
The other day I found an old notebook — the 6×9 spiral-bound steno kind, green-tinted and Gregg ruled. All but a few pages had been summarily ripped out—cleanly, of course, with no paper detritus clogging up the spiral—so I was curious to see what made it worth saving.
On the first page, I’d scribbled down a William Carlos Williams poem.
There were the roses, in the rain.
Don’t cut them, I pleaded. They won’t last, she said.
But they’re so beautiful where they are.
Agh, we were all beautiful once, she said
and cut them and gave them to me in my hand.
I read lots of magazines nowadays. Not so many books … and almost no poetry. I’ve held on to the anthologies that were required reading while I was an English lit major, but haven’t often revisited the pages or sought out new/different work. Which is a shame, because my favorite pieces pack a wallop despite their brevity.
You fit into me
like a hook into an eye
a fish hook
an open eye
In just 16 words, Margaret Atwood conjures the vision of a perfectly matched couple—and shreds it by clarifying her terms.
I bookmarked “You Fit Into Me” during my breakup with Trainer Brian, alongside other acidic pieces like “Mock Orange” by Louise Glück.
“We were made fools of.
And the scent of mock orange
drifts through the window.
How can I rest?
How can I be content
when there is still
that odor in the world?”
But poetry is just as effective and enjoyable during happier scenarios. Back in the 6th century BC, the Greek lyric poet Ibycus described that moment when you see someone you’re smitten by:
I swear his mere approach makes me tremble
like an old champion chariot horse, as he
draws a swift cart unwillingly to the race.
I held on to that steno notebook, which has inspired me to figure out a method for compiling and collecting my favorite poems in one place—and likely in print, not just online. For now, I’m headed to Changing Hands Bookstore to find something new to enjoy.
|WHAT SAM WORE: 7/12/15|
|The shirt: V-neck T-shirt from Uniqlo, New York.|
|The shorts: It looks like camo print, but it’s actually clouds and birds!
Above-the-knee cotton shorts by Michael Bastian, from Uniqlo.
|The shoes: L.A. Runner sneakers by Adidas, from Sports Authority.|
There was a hot moment a few weeks ago where I turned into a hoarder.
Tina is convinced this building is haunted.
My dental hygienist leans close and whispers, “There’s a morgue downstairs, you know. It’s eerie.” The former caretaker told her they did autopsies down there. The building’s been around since 1931, when it was and for years its mostly empty hallways and retro color scheme definitely gave it a vibe from “The Shining.” One client told them she couldn’t come in any more because the building gave her the creeps so bad.
(That’s a view from the front lobby down the main hallway above, although on today’s visit I noticed they’ve updated the carpeting to be Tasteful Greiges.)
From two bays away, the doctor’s weary voice echoes: “Stop telling people our office is haunted, Tina.”
It turns out that the Lois Grunow Memorial Clinic is associated with death, in a way: Back when it first opened in 1931 as the Grunow Medical Clinic, one of its offices was the workplace of Winnie Ruth Judd, who was convicted of Phoenix’s “Trunk Murders.”
It’s also where Judd first met Agnes Anne LeRoi, one of the two shooting victims. LeRoi’s body was stuffed into a large trunk, while the other woman’s body was dismembered and the parts were stuffed amid three different cases. Judd boarded a train with the luggage and made it all the way to California before she was stopped at the train station because the trunks smelled awful and were leaking. It’s a fascinating true-crime story that involves an insanity defense, an eventual conviction, multiple escapes from the state mental facility (and an eventual parole, followed by an absolute discharge).
In the here and now, though, I’m reclined in the chair while Tina polishes my teeth. I had thought she meant there was a full-on morgue in the basement, which a clinical building wouldn’t have … would it?
“You don’t believe me, do you?” she says, standing up. “Well, we’re done here—and we’re going down to the basement right now.” Continue reading